Writing for an animated film is like painting on an infinite canvas—there are literally no bounds. You don’t have to worry about expensive or dangerous stunts, keeping your sets small for the sake of ...

Half of the dialogue in my film “CODA” is in American Sign Language. How do you write for a language that has no written form? I didn’t. Not at first. When I started studying ASL, it struck me how ...

The Austin Film Festival has announced its 2025 Script and Film Competition Award winners, recognizing a new class of storytellers in 33 categories.

The script starts simply enough: A couple is at the end of dinner. Conversation winds down, the wine is almost finished. After a silence, the man says he wants to play a game. Enter artificial ...

The Writers Guild of America has proposed allowing artificial intelligence to write scripts, as long as it does not affect writers’ credits or residuals. The guild had previously indicated that it ...

Per Straczynski, he actually insisted on an “adapted by” credit for the movie, rather than the standard “written by.” There’s no word on whether Moore and Gibbons will get an onscreen credit; when a ...